Cable Griffith

NEW WEBSITE!

2011-03-25T17:27:00.000-07:00

Pleased to announce my new website: cablegriffith.com

I just hope my blog doesn't get jealous. One nice thing about still having both is that it frees up the blog to be more spontaneous, informal, and bloggish. But it does feel nice to have a clean and concise website. Just don't tell my blog that.

Forecast: Pink Albedo Thunderstorm

2010-11-07T10:42:00.000-08:00

Pink Albedo Thunderstorm. 2010. acrylic on canvas. 36 x 48 inches.

Threshold (Gathering)

2010-09-14T11:59:00.000-07:00

Threshold (Gathering). 2010. acrylic on canvas. 30 x 40 inches.

SOIL New Members Show

2010-08-01T13:35:00.000-07:00

The Mountain. 2010. acrylic on canvas. 30 x 40 inches.

Terrarium (Hill). 2010. aquarium, plexi, acrylic, light. 12 x 10 x 20 inches.

More images and words from the show on SOIL's website. Thoughts by Erin Shafkind here.

Temple of Vacuous Confidence

2010-08-01T13:23:00.000-07:00

Temple of Vacuous Confidence. 2010. styrofoam, wood, cords, models, mirrors, paint. 6' x 12' x 1'

Earlier this year, ACT Theatre approached SOIL about commissioning SOIL artists to create window installations for their sidewalk windows. I thought, "So, you'll PAY us to make art?!" That was a radical concept for me to understand, but after giving it some thought, I agreed that it made some sense. Not having really made much sculpture before, I was excited to give it a whirl. More info on the SOIL website here. Each window represented a decade of American culture since the 1950's. I had the 1980's... Materialism, rabid consumerism, glitz-y exteriors without much content, Lamborghinis, speedboats, hot pink, etc. On display through August 30 at ACT Theatre.

The Navigator

2010-05-17T14:35:00.000-07:00

The Navigator. 2010. acrylic on canvas. 30 x 40 inches.

The Interloper

2010-05-10T19:30:00.000-07:00

The Interloper. 2010. acrylic on canvas. 36 x 48 inches.

This one was previously posted, but I dragged it out of storage and fixed some things, vastly improving it. Actually, the previous post showed it before I messed it up by over-painting it. This post is a result of painting out those previous additions (not posted on the blog), and adding some other subtle changes that, to me, correct the balance. I'd like to note that the title changed from the previous post to one that I think fits much better. It's inspired by a comment my friend Michelle Witten made when I was working on it, referring to the big pink form, as if it had just crashed the party. Everything else in the painting is like, "Who invited HIM?"

Land of Suspended Belief

2010-05-02T09:52:00.000-07:00

Land of Suspended Belief: Temple. 2010. acrylic on vinyl. 5 x 9 x 3.5 feet.

I posted a few images of this piece before, but wanted to post some better ones with an explanation of the process. SOIL was invited to install a very large group show at the Seattle Design Center for 3 months, filling an otherwise empty 11,000 square foot space. With a bunch of new members (myself included), we filled the space surprisingly easily. I was excited to show a bunch of smaller plexiglas paintings for the first time, but I had heard that the space might offer some unusual opportunities for installations. Once I arrived, I saw what was basically a huge empty frame in the middle of one of the larger rooms. It was perfect for a large multi-layered vinyl painting, similar to the plexiglas ones, but much, much larger. I had previously done a vinyl painting installation prototype at 2009 KAC REDUX event, and was eager to try it again. This one would be more contained and viewable from both sides.

After preparing the ceiling and walls with the hardware to keep the vinyl evenly space, I started improvising the painting, one vinyl sheet at a time, painting on the floor. Obsessed with temple forms and symbols, I built one that descended from its peak, down and out towards the viewer on either side. The temple is surround by layers of flowers and exotic plants, threatening to eventually over-grow the supposed man-man structure. The reference to the tower or temple has several meanings for me, mostly relating to ideas of faith, art, spirituality, and practice. It seemed appropriate then, that I was on my knees for the duration of the painting, building the temple, mark by mark, layer by layer.

I've never made a painting that has two viewable sides. It was really interesting to be making decisions about the foreground on one side, realizing it was going to become the background on the other. It's also very satisfying to create illusion without really having to do so. I can adjust the relative size of marks, color saturation, and value, but the space is actual. Lighting this piece was definitely a challenge, as you can probably tell from the photos. Without the proper lights in the right places, the space isn't nearly as effective. The shininess doesn't bother me though. I quite like the artificiality of the plastic, and its reference to consumer products. After all, the SDC is basically a mall.

The show is up through May 28, and you can find more info at the SOIL website here.

Collaboration Land

2010-05-02T09:11:00.000-07:00

Glyphland. 2010. paper-mache, foliage, toothpicks, fimo, paint, glue on gatorboard glyph

A while back, Artist Troy Gua invited me to participate in a collaborative project between himself and a boat load of other local artists. Inspired by the relationship between current simplifications of online text communication and the hieroglyphics of earlier civilizations, Troy designed and cut out individual and unique symbols or "glyphs" for other artists to complete. Each symbol represents a collaborative relationship between the two artists, and once finally installed at Monarch Contemporary, the individual glyphs formed a collective statement about sharing, community, and visual language. The exhibit, "Meet Greet Rinse Repeat" just came down yesterday.

For my glyph (which arrived as a flat gator board cut-out), I wanted to go 3D. I covered it with a paper-mache pulp, sculpting it into a series of rolling hills. After putting on green turf, I built tiny bridges, towers, and viewing platforms out of toothpicks. Then little fimo flowers and fluffy trees finished it off. The result was "Glyphland". It was one of my first sculptures ever, and I wouldn't have made it without Troy's offer. I'm very thankful to have been part of the project and I'm looking forward to many other collaborative projects this year...

Animated Painting: At The Edge of Town

2010-04-24T11:32:00.000-07:00

The painting:

The video:

Months ago, I was contacted by Kyle, Joe and Alex from the music and art blog, Camp Revival, asking if I wanted to contribute something to their site. It was the perfect opportunity to do something I had wanted to do for a while, but didn't really have the right equipment or reason. I suggested animating the progress of a painting, mark by mark, accompanied by a later-to-be improvised soundtrack. They were really enthusiastic about the idea and visited my studio to set up the camera and lighting, eventually leaving me with a blank canvas to fill. As with most of my paintings, this one was entirely improvised, with no plan whatsoever. It's always a thrill to embark on a new painting, not knowing where it will go or what it will look like, yet trusting it's eventual resolution. It was both exciting and strange thinking of an audience, not only for the final piece, but for the process as well.

And so it began, one splotch, then another, and then a steadily accumulating series of marks. It's a very different experience to paint a mark and then step back behind a camera to snap a photo before paining the next mark. The added step of the process slowed me down, making each mark very deliberate, yet it also tends to break the continuity and flow of mark-making that other paintings allow. The strangest thing was to realize that someone would be watching these mark-by-mark decisions and I became aware of my painting process as performance. There was definitely a push and pull between making decisions that were purely in the best interest of the painting, and making decisions that would be more entertaining to watch. The possibility of a time-based narrative during the making of a painting (ala Wlliam Kentridge) was intriguing, but not something I went for. I suppose that if there was a narrative through time, it would simply be about shooting into the dark and the discovery of where you end up.

Because the painting had been completely improvised, it made sense that the soundtrack would be too. After figuring our the tempo of the frame rate, I played guitar to the beat, trying to follow and respond to the marks, musically. I'm not sure which ended up weirder... the painting or the music. It was also really interesting for me to combine two of the things I'm most passionate about. It's something I've never had the motivation to connect before.

I also asked my friend, Andy Arkley if he would create a soundtrack for the painting. Andy is a super-talented designer-animator-musician involved with two great bands, The Bran Flakes and Library Science. Very graciously, he created his own soundtrack to the animation and I'm hoping to post a link to his version soon.

This was a really fun project to do, and I want to give my sincere thanks to Joe, Alex and Kyle for giving me the opportunity. It was truly a pleasure to work with them. Thanks!

SOIL at SDC

2010-03-13T18:36:00.000-08:00

Some new plexi-paintings and a site-specific vinyl installation as part of SOIL at SDC (Seattle Design Center). Thanks to Saya Moriyasu for the photos. More info to follow soon...

At the Edge of Town

2009-12-20T16:45:00.000-08:00

At the Edge of Town. 2009. acrylic on canvas. 36 x 48 inches.

This painting is the first I've made while photographing each mark along the way. OK, so maybe not EVERY single mark, but darn near close. There are over 900 photographs of this one. Stay tuned for the finished animation of the making, along with an improvised soundtrack on Camp Revival. I'm hoping the whole thing will be finished before the New Year. Special thanks to Joe, Alex and Kyle from Camp Revival for enabling this project!

Late Bloomer

2009-11-28T16:32:00.000-08:00

Late Bloomer. 2009. acrylic on canvas. 12 x 16 inches each (diptych).

More small plexiglas paintings...

2009-11-28T16:27:00.000-08:00

Flower Field. 2009. acrylic on layered plexiglas. 12 x 12 inches

Drainage Flow. 2009. acrylic on layered plexiglas. 12 x 12 inches

Reverse Vortex Chamber. 2009. acrylic on layered plexiglas. 12 x 12 inches

Green Hills. 2009. acrylic on layered plexiglas. 12 x 13 inches

Softcore Cluster II

2009-11-28T16:19:00.000-08:00

Softcore Cluster II. 2009. acrylic on layered polyester sheets. 11 x 14 inches.

Dome

2009-11-10T23:13:00.000-08:00

Dome. 2009. acrylic on paper. 22 x 30 inches.

2009-10-17T19:38:00.000-07:00

Softcore Cluster. 2009. acrylic on layered polyester sheets. 11 x 14 inches.

Softcore Landscape. 2009. acrylic on layered polyester sheets. 11 x 14 inches.

Mini-plexis

2009-10-17T19:09:00.000-07:00

Moon Temple. 2009. acrylic on layered plexiglas. 12 x 12 inches.

Clodwad I. 2009. acrylic on layered plexiglas. 6 x 6 inches.

Rainbow Lightning. 2009. acrylic on layered plexiglas. 6 x 6 inches.

New painting in Land(e)scape at SOIL Gallery

2009-08-13T20:44:00.001-07:00

West From Petal Mountain. 2009. acrylic on canvas. 48 x 36 inches.

Land(e)scape: SOIL Gallery, August 6 - 29, 2009

2009-07-29T14:03:00.000-07:00

World One Overview. 2009. acrylic on canvas. 48 x 60 inches.

Usually, I'm pretty quick to post an image almost instantaneously after I finish a painting. I'm just eager to share, I guess. By looking at the last post date, you can see that it's been a while! I have been working on new paintings for an upcoming show at SOIL Gallery, Land(e)scape, with Julie Alpert and Lise Graham, opening August 6, from 6-8 pm. I've been working on this one for a while and rather than "unveil" the paintings long before the show, I wanted to sit on them for a bit. Today, one of the new paintings was featured on the cover of one of Seattle's weekly papers, The Stranger. Obviously, I'm pretty psyched. I figured I'd post a full image of the painting here as well. It's the first in a new series of large map paintings that aim to tie my invented world together. Influenced by video games like Mario Bros. and Zelda, it's an overhead map, showing the "lay of the land." I'm really excited about the possibility of pulling people more deeply into these invented spaces and giving them a sense of where they are. There's also a new close-up painting on its way that places the viewer directly into this specific map.

Anticipating Summer...

2009-04-06T08:55:00.001-07:00

Regrowth/Renewal. 2009. acrylic on canvas. 48 x 60 inches.

Approaching Lanka

2009-03-21T18:34:00.000-07:00

Approaching Lanka. 2009. acrylic on canvas. 22 x 28 inches.

and continued...

2009-03-14T19:22:00.000-07:00

New painting, continued...

2009-03-07T22:49:00.000-08:00

Painting(s) in-progress

2009-02-28T20:21:00.001-08:00

Plexi-madness

2009-02-23T22:23:00.000-08:00

Fortress. acrylic on 12 layers of plexiglas. 6 x 6 x 6 inches.

Microcosmos II. acrylic on 4 layers of plexiglas. 12 x 12 inches.

Temple II. acrylic on 6 layers of plexiglas. 13x 13 inches.

Mini Plexiglas Paintings

2009-02-20T11:03:00.000-08:00

Microcosmos. acrylic on 6 layers of plexiglas. 6 x 6 inches.

Temple. acrylic on 6 layers of plexiglas. 6 x 6 inches.

Rank and File. acrylic on 6 layers of plexiglas. 6 x 6 inches.

New Plexi Painting

2008-11-30T16:00:00.001-08:00

This one was a long time coming. This is the largest one that I've finished so far. 24 x 24 inches and heavy as hell. Also, I've got to figure out how to photograph these things properly. I posted some smaller versions of the plexi-paintings before, but I despise them now (except for one). I'm in the process of stripping the previous layers of paint off so that I can redo them. More to come...

Untitled. acrylic on 8 layers of plexiglass. 24 x 24 inches.

Third Time's a Charm

2008-11-22T13:26:00.000-08:00

I first posted this painting a long while back, thinking it was done. Then I worked on it more and posted it again (since deleted). Now, here I am posting it again. IT IS DONE. For good. I guess it just wasn't weird enough before. Because it seems pleasingly weird now. DOINK!

Strange Place for Snow. acrylic on canvas. 36 x 36 inches.

2008-11-21T18:53:00.000-08:00

Flash Flood. acrylic on canvas. 12 x 12 inches.

New posts, new show and a new "drawings" section

2008-11-08T10:45:00.000-08:00

I wanted to remind everyone that I'll have some recent paintings and drawings in a new group show called "Dualities: a collaboration", at SAM Gallery. It opens Thursday, November 13 from 5 - 7 pm. Please stop by to say hello and drink free wine with me! I also wanted to let people know that I've added a new "Drawings" section to the blog. Please click the "view drawings" image on the right to visit.

Clod. 12 x 12 inches. acrylic on canvas.

2008-11-08T10:43:00.000-08:00

Flowers. acrylic on paper. 22 x 30 inches.

Abyssal Plain Outpost

2008-09-25T13:49:00.000-07:00

Here's a new one made using homemade "sandpaper." I coated sheets of paper with glue and then covered them with various dirt from around my house, including sawdust and wood flour. Then I collaged them with mylar pieces, additional paper, ink and paint. The "Abyssal Plain" is the flat area of the ocean floor.

Abyssal Plain Outpost. mixed media on paper. 22 x 30 inches.

New Paintings

2008-08-24T16:08:00.000-07:00

I'm very happy to finally post these finished paintings. Summer has been a bit slower in the studio, as there are so many fun distractions from making art. But, the last few weeks have been pretty productive, and I'm excited with this new series. I hope you dig them...

Wave/Particle Hearsay. acrylic on canvas. 36 x 48 inches.

Pecking Order. acrylic on canvas. 36 x 48 inches.

Protean Flux

2008-06-15T14:44:00.000-07:00

Protean Flux. oil on canvas. 36 x 48 inches. 2008

Protean Flow Series (part 1)

2008-06-15T14:29:00.000-07:00

Protean Flow 1. ink, graphite, mylar, on paper. 22 x 30 inches. 2008.

Protean Flow 2. ink, graphite, mylar, wrapping paper, on paper. 22 x 30 inches. 2008.

Orange Jungle, redux

2008-05-11T18:08:00.000-07:00

acrylic on canvas. 48 x 72 inches

Winter Shift

2008-05-11T16:06:00.000-07:00

acrylic, ink on paper. 38 x 50 inches.

String Theory 1

2008-05-11T16:02:00.000-07:00

ink and graphite on paper. 22 x 30 inches.

Plexiglass paintings

2008-04-13T21:57:00.001-07:00

Here are some new pieces that I've been working on. They each consist of eight layers of 1/4 inch plexiglass, with acrylic paint on the separate layers. These are the first of many more to come. As you can see, they are a challenge to photograph, and I realized that trapped dust becomes a big problem. But I'm looking forward to working these issues out and creating some larger ones. These are all 12 x 12 inches.

Strange Place for Snow

2008-04-13T21:55:00.000-07:00

Acrylic on canvas, 36 x 36 inches.

Older drawings

2008-03-23T23:40:00.000-07:00

I've been doing a lot of music recently, and new work has been a bit slow, but I wanted to post some older drawings that were neither here nor there, and that's why i like them. New work soon...

New Drawings

2008-02-20T10:58:00.001-08:00

New Work, New Shows

2008-02-09T12:35:00.000-08:00

Here are some new paintings that I've been working on for an upcoming show at the Seattle Art Museum Gallery. I will have 3-4 new paintings in their Introductions 2008 group exhibition. The show runs from March 13 - April 12, 2008. Opening reception is March 13, 5 - 7 PM.

I also currently have paintings and drawings up at Fresh Flours, one of my favorite local cafes in the Phinney Ridge area of Seattle. The work will be up for February and March. Anyone who hasn't had one of their lemon ginger muffins is seriously missing out.

New Painting

2007-12-05T22:20:00.000-08:00

Ok, new painting... finally. More new babies to come. 26 x 26 inches. oil.

New Post

2007-11-25T21:44:00.000-08:00

Wow. I've been a terrible blogger. The ironic thing is that I currently have work in two different galleries as part of "The Blogger Show." 2 pieces are at the Agni Gallery in NYC , and 2 pieces are at Digging Pitt, in Pittsburgh. So, I guess I'm not really much of a blogger. Or at least I haven't been recently. As the name of the shows suggest, they consist of work by artists that blog. A majority of the blogs I've visited by the participating artists, really WRITE. I don't really write all that much at all. My blog was really only started in order to have an online space to show my work. I guess blogs can take many different forms and purposes. I have to admit that I have felt rather low on the art blogging ladder, as I haven't updated very often, and I only write about myself. But, that's what this blog remains.... It's about my work. So, I wanted to post a new image, though it's not a new painting. It's actually a piece that's in the Blogger Show at Agni Gallery. I've got some cool new paintings in the works, and hopefully, they'll be finished within the next month. I'll be happy to finally post some new work then. A lot has been going on recently, and it's been a bit of a struggle to back back into production mode.... but things are finally clicking again. More to come...

Work on Paper

2007-08-29T12:11:00.000-07:00

Not much I'd like to say, but I just wanted to post some new images. More to come....

SOLD

SOLD

Accretion

2007-07-25T09:37:00.000-07:00

I learned a new word today, thanks to Elizabeth Perry who commented on the 'Katamari' series. That word is, 'accretion'. It may be only a new word to me, as many are, but it's nice to have a new word that describes something that one does so often. According to Wikipedia, accretion is , "a process in which the size of something gradually increases by steady addition of smaller parts." That certainly could describe most of my paintings, but especially "Painthing." I posted the painting earlier, but could not stop working on it. I still really love the original state of the painting that I will now call "Panthing I". The new one is "Painthing II".

I'm renaming this version because I still think that the previous version was good enough to be complete as it was. So, it's just a lost painting that exists in photo form. Obviously, the new version has a significantly greater amount of accretion. I guess it could be said that I ruined the previous painting. Actually, I destroyed it. But I like the new one too, though it has a very different feel. The feeling of mass is much more intense.

Group Show at Pratt Gallery

2007-06-04T11:57:00.000-07:00

I will be showing some new work at the Pratt Fine Arts Center's new gallery space in Pioneer Square, Seattle. The show features work by Pratt Instructors from the 2-D department, including Kiki Mackinnis, Erik Peterson, and myself. The opening is Thursday, June 7th from 5-8pm in the Tashiro Kaplan Building at 3rd and Washington, Suite 102.

Vertical Shear. oil and acrylic on canvas. 55 x 55 inches.

New Work

2007-03-27T22:54:00.000-07:00

I am currently showing some new work at the Kirkland Performance Center, in Kirkland, WA. There's one very new painting, an old painting, and three new drawings. Here's the new one...

The Hidden Garden. oil on canvas. 72 x 36 inches (diptych)

2007-02-01T09:24:00.000-08:00

Painthing. oil on canvas

Group Show

2006-11-03T15:03:00.000-08:00

I am pleased to announce that I will be part of a group show at the Gallery on the Green, in Pawling, New York. Some of the work has been posted here before, but I have continued working on them, and they are finally resolved. This will be the first time that "Night Attack in Emerald Valley" has been shown. Those of you in the area should make the trip to support this new, great gallery and the other artists. The show runs from 11/25/06 to 1/7/07. Here are some updated images of the work in the show...

Night Attack in Emerald Valley. oil on canvas SOLD

Fertile Shore. oil on canvas

Grove. oil on wood

Incident at Donut Junction. oil on canvas

Katamari!

2006-11-03T14:39:00.000-08:00

"Katamari Landscape" was previously posted, but I continued to work on it and wanted to re-post it, along with some drawings that preceded it. I got the idea from a bizarre video game called "Katamari Damacy". "Katamari" is a japanese word meaning "clod" or "clump", and "damacy" loosely means "spirit" or "soul". The painting was made by continuously rotating the painting 90 degrees in order to compress the gravity of landscape towards the center. The result is a ball of my landscape elements. Katamari!

Katamari Landscape. oil on canvas

Untitled. ink on paper

Untitled. ink on paper

Work on Exhibit

2006-08-08T13:57:00.001-07:00

Some of the following paintings and drawings will be on display at "On the Edge" at the Kirkland Arts Center Gallery, Kirkland, WA. "On the Edge" is a show of four KAC faculty members including myself and Jason Huff, Lauren Laughlin, and Michael Ottersen. It is curated by Victor Sandbloom. The show runs from August 11 to September 9, 2006. Opening Reception is August 10th, 6-9pm. I will also take part in a slide talk about the work at the Kirkland Library, August 16th at 7pm.

Migration. oil on canvas

2006-08-08T13:50:00.000-07:00

Congregation. oil on canvas

2006-08-08T13:48:00.000-07:00

Fulcrum. oil on canvas

2006-08-08T13:47:00.000-07:00

Uphill. oil on wood

2006-08-08T13:44:00.000-07:00

Neighborhood. oil on wood

2006-08-08T13:43:00.000-07:00

Interior/Exterior. oil on wood

2006-08-08T13:42:00.000-07:00

Disputable. gouache and graphite on paper

2006-08-08T13:41:00.000-07:00

Tangle. gouache on paper.

New Drawings

2006-05-12T12:58:00.000-07:00

Here are some new drawings of various variables. Thanks for visitng my blog.

Deliberation. gouache and ink on paper

2006-05-12T12:57:00.000-07:00

Going for a Walk. gouache and gesso on paper

2006-05-12T12:54:00.000-07:00

The Accident. ink, gouache, gesso on paper

2006-05-12T12:53:00.000-07:00

Philip's Stools. graphite, ink, gesso on paper

2006-05-12T12:49:00.000-07:00

Cans I. graphite and gesso on paper

2006-05-12T12:48:00.000-07:00

Cans II. graphite and gesso on paper

Atomic Bomb Drawings

2006-03-21T18:36:00.000-08:00

Most of these drawings were done while I was at graduate school at the University of Washington. I have always been both fascinated and horrified by nuclear bombs. These drawings are all graphite on paper, and they certainly contrast with the previous work that I've posted. I feel like I just did them for myself, and didn't quite know what to do with them. I came upon them recently, and decided to post them. The contrast between how beautiful some of these images are, and the horrible reality of what they depict is rather unsettling. Since 1945, The United States has tested over 1,000 atomic bombs on our soil. We have also been so kind as to let the United Kingdom test 24 atomic bombs here.

Trinity 1945 (first test by the U.S.)

2006-03-21T18:34:00.000-08:00

Hiroshima 1945: 80,000-140,000 killed instantly. More than 100,000 severely injured.

2006-03-21T18:32:00.000-08:00

Nagasaki 1945: 74,000 killed, 75,000 severely injured.

2006-03-21T18:31:00.000-08:00

Mike (first thermonuclear test) 1952

2006-03-21T18:29:00.000-08:00

Grable (shot from cannon) 1953

2006-03-21T18:28:00.000-08:00

Yeso 1962

New Painting

2006-03-06T11:41:00.000-08:00

Actually, this painting is far from new, as I've been working on in for many months... But It's finished. For now. This painting began like the smaller paintings I previously posted, but I pushed the space and form development further. This one is 30" square. Thanks for visiting my BLog.

Fertile Space. oil on canvas SOLD

Illustrated Story

2006-03-02T22:03:00.000-08:00

This is a collection of recent drawings, on paper, of ink and gesso, about 8"x11". They illustrate a novel of complex assortments. Each drawing is the sole illustration and title of a chapter within the unpublished story of triumph over trajectory. I had previously posted the entire collection, but I have deleted some in the interest of space and which ones are my favorites. If you would like to see the entire story in order, I would be more than happy to email them to you. Thank you for visiting my BLog.

The Recover. ink and gesso on paper

2006-03-02T21:58:00.001-08:00

The Confrontation. ink on paper

The Edge of Town. ink and gesso on paper

2006-03-02T21:58:00.000-08:00

The Fortress. ink and gesso on paper

2006-03-02T21:54:00.000-08:00

The Covered Path. ink and gesso on paper

2006-03-02T21:53:00.000-08:00

The Meeting. ink and gesso on paper

2006-03-01T19:46:00.000-08:00

Winter II. oil on wood

2006-03-01T19:30:00.000-08:00

Winter III. oil on wood SOLD

I have a blog!

2006-03-01T13:05:00.000-08:00

Who needs a website, when you can have a blog? Well, until the day I have my own personal website, this blog should do the trick. The main thing here is to have a place on the web to post some of my recent artwork. I really have no idea how this blog this works, so this will really be a work in progress. First, maybe I'll try and get some images up. BLOG!!!